How much is the net worth of Aida Garifullina? On the second day, she sang Rimsky-Korsakov’s ‘The Snow Maiden.’ which is one of her favorites.Īlthough she fell down the stairs of her hotel due to anxiety, she somehow reached the venue on the final day and was eventually announced the winner. She was awarded the highest marks for her performance of ‘Encomia in pieta vesta’ from ‘Bellini’s I Capuleti e I Montecchi’ on the first day. Petersburg.Īdditionally, she later stated that hers was the last form and was filled by her mother. Then, a year later, she performed at the ‘XXX Summer Olympics’ in London.ĭuring her time in London, she met Valery Gergiev, general and artistic director of the ‘Mariinsky Theatre’ in St. She also sang at the closing ceremony of the ‘XXVI Summer Universiade in Shenzhen.’ Following her graduation in 2011, she performed a duet with Alessandro Safina in Kazan. She played ‘Despina,’ the maid, in the production. Talking about her profession, Aida began her career in 2009, debuting on stage in a production of Mozart’s ‘Così fan Tutte’ by the ‘Conservatoire’ opera students. Aida Garifullina: Professional Life, Career ![]() Talking about Aida’s education history, she attended the University of Music and Performing Arts, Vienna. Aida Garifullina: Education, School/ College University Aida holds Russian- Austrian citizenship but her ethnicity is unknown. She has a sibling namely, Rem Garifullin. Caption: Aida Garifullina and Marat Safin (Source: Frivolette) Her mother was the one who noticed Aida’s love for singing. Her father’s name is Emil Garifullina and her mother’s name is Lyalya Garifullina. Her father was a landscape architect, and her mother was a choir conductor. It was very hard – the exams there are not just vocal but also in harmony and solfeggio.Her birth name is Aida Emilevna Garifullina. “So after two years, without telling anyone, I bought a train ticket to Vienna and sat the exams for the Vienna University of Music and Performing Arts. Aida spent two happy, hard-working years in Germany with Siegfried Jerusalem, but her father (a landscape architect) and musician mother had always wanted her to study in Vienna. And it was so interesting to me that a non-Russian soprano could do this heavenly music – which seems to carry a kind of bright sadness, of suffering and unrealised hopes – so beautifully.” Aida regularly includes these items in recitals, along with Tchaikovsky’s lilting Serenada (from Six Romances, op 63), a piece full of gentle yearning and desire. “I listened to many different recordings, but hers was the best: I wanted to match it, but in my own way. “She was unique: she had wonderfully rich low notes, but soft, glittering high notes too, and so many colours in her voice.” Her recording of Rachmaninov’s Vocalise was a particular draw. “Rachmaninov’s romances – Lilacs and Zdes’ khorosho – seem full of nostalgia and they reminded me of home… I was 17 and homesick and thinking about my parents and the countryside.” She was also inspired by recordings of the legendary soprano Anna Moffo, a singer whose career became an inspiration for her. ![]() ![]() In Nuremberg Aida worked on some of the songs featured on her debut album for Decca Classics.
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